![]() The big key is that they focused it on making each character impactful. You accumulate combat points, called souls, that determine how many actions you can make in a row before stopping. Fully Armedīerseria’s action combat system is a slight modification on Zestiria’s setup, fixing most of the previous game’s problems and creating a similar feeling system that is actually a lot of fun to use. And they’re not the only ones… several other concepts, roles, titles, or positions have their first origins in Berseria, but you might need to look a bit harder to see them! Finally, the one returning character’s future personality makes a whole lot more sense when you look at his past. You get to see both the first Shepherd and the first Lord of Calamity, and – to avoid spoilers – let me tell you they’re not filling the roles you might expect. It was also really interesting seeing some of the key titles and figures from Zestiria in a different light. There were a few of these references that even took me a while to get, such as the identity of Eizen’s sister. There is definitely benefit to being familiar with the future’s tale, as there are numerous subtle references that set the stage for events in Zestiria… but none of them feel heavy-handed or overdone. It’s easy when making games with related stories to make one too contingent upon the other… yet Berseria avoids that trap with ease. I wanted to take a moment to touch on the ties to Zestiria here. And then, when the end came and the true motives behind it all were unveiled, it vindicated everything you’d been doing. Even if it meant destroying the religion that seemed intent on saving the people. The game instilled a sense of almost righteous wrath into me while playing that surprised me quite a bit – I genuinely wanted to see her revenge succeed, even if it damned the entire world. The final aspect that helps the story avoid breaking your engagement is that the game gives you the early gaze into Velvet’s past, which helps you understand why she is the vengeful, hate-filled monster she has become. ![]() Laphi offers us a reminder of who Velvet was when we first saw her in the tutorial segment before things went to hell for her, while Eleanor acts as a bit of a moral compass for Velvet, tempering her tendency towards expedience. These two characters offer the ordinary non-evil person a lens into the story. The second element that makes it work are a combination of relatively morally strong characters – the young, naïve Malak Laphi and the exorcist Eleanor. Additionally, since she is always very clearly aware of more than she’s letting on, she’s able to relay information the game wants you to know without it sounding out of place. Probably the biggest reason for that is that she offers fantastic comic relief. While a bit of an obnoxious character, Magilou is one of the most important characters to the story’s success. First, you’re accompanied for most of the game by the apathetic, sarcastic, know-it-all witch Magilou. Half of the game is spent committing various atrocities in pursuit of Velvet’s revenge.īut there are a few things that make it work. The cast is comprised of demons and criminals, for the most part. Our protagonist is the desperate, hate-filled Velvet Crowe – a young lady who was forced to eat demons to live for 3 years after being imprisoned by her sister’s widower after he sacrificed her ill younger brother right in front of her eyes. Don’t get me wrong, Tales of Berseria is a tragic tale, with every turn unveiling more and more desperation both in the cast and the world itself. I’ve seen so many games and anime fall flat because they wanted to portray a dark story, but forgot that you can’t just be tragic all the time – there has to be contrast. ![]() Tales of Berseria’s story is remarkably well-done. Dark stories are very difficult to do right. Now, the question then becomes: were my doubts realized? ![]() I still wanted to believe it would be good, that we would be going back to the greatness the last installments had featured… but I had my doubts. I began to fear that we were in for another let-down. The protagonist is female? Nice change of pace. But my hope wilted when I found out it took place in the distant past of Zestiria. I kept hearing tidbits about the game that seemed good. Then I heard about Berseria, I saw trailers of it and it looked promising. Bandai Namco (or Namco Bandai or whatever they’re calling themselves this week) had done a fantastic job on the series recently, making some of the best JRPGs I’d ever played and then Zestiria came out with its anticlimax of a finish, awkward combat, and disappointing core protagonists, reminding us all that what goes up must come down. Let’s be honest… Tales of Zestiria was a huge let down.
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![]() The official CRAN binaries come pre-packaged in such a way thatĪdministrator have sufficient privileges to update R and install Previous: History, Up: General Features 2.4.11 Authentication and. Hence history() are not currently supported in R.APP. Note that the functions loadhistory(), savehistory() and It is suggested to use a different name for the Note: Command-line R stores history in a file usually called Optional to select removal of duplicate entries and strip comments. A variety of history entry cleanup modes is possible.Īt a minimum it is suggested to select "Cleanup history entries". Default number of kept historyĮntries is 250. Set through the StartUp Preference Panel. Import and export allows storing and importing history fromįiles visible in the Mac OS Finder. Multiline is particularly useful when using theĬommand- Return feature while editing an R Multiline support remains available from inside R.APP uses history files that are (superset) compatible with historyįiles created by R. libPaths, Previous: Help system, Up: General Features 2.4.10 History If R.APP is running, the file is opened in the If R.APP is not running, R.APP is started and the file is sourced or Double clicking on files bound to ("Open With. Drag & drop of a file sources or opens the file in the While R.APP is running, drag & drop of a directory updates the workingĭirectory. Note: At this point opening a file in the editor before R.APP is finished Specified by a Preference setting in the StartUp Preference Pane. Is either restored (if it is a saved workspace), sourced into R.APP or R.APP icon while R.APP is not running, R.APP is started, the file Rapp.history)Īre fetched from this working directory. RData and the history file (default name. Running will start R.APP and set the working directory. Next: Help system, Previous: Editor help, Up: General Features 2.4.8 Drag & dropĭrag and drop of a directory on the R.APP icon while R.APP is not This is the equivalent on Unix (or the command line) to launch R from different directories. Rprofile is read and executed by R at startup. The Preferences (or any other method mentioned above) to change the startup directory. Rprofile (containing you personal initialization R commands) in a particular directory and use This feature is useful if you want different startup procedures defined by the. causes R.APP to be started using the current directory as the startup working directory. The same can be achieved on the command line – for example open -a R. If R.APP is not running, this will cause R.APP to be started in the directory corresponding to the folder dragged. Finally it is possible to use a specific directory for a single R session by dragging a folder onto the R.APP icon. The working directory can be changed using the setwd R command or using the Misc menu item Change working directory. If not otherwise specified in the Preferences (see Preferences), or if the specified path is no longer available, then the default working directory at startup is the user home. Next: Resizing the R Console, Previous: Copy and Paste, Up: The R Console 2.3.3 The current and startup working directories How can R for macOS be obtained and installed?.Always read this FAQ before asking for help on Is usually a good idea to always look into that section if your issueĭoesn’t fit any of the above or was not answered in one of the specific ![]() Questions that don’t fit strictly into any of the categories above – it The last section of this document contains the most frequently asked Mailing list (after subscribing) as well as comments on this FAQ. Requests/questions you would like answers to the Anything specific to the R language can be This ‘R for macOS FAQ’ is rather incomplete at the moment and requiresĬontributions from users. While R.APP refers to the GUI-based Mac OS application that controls In this document R refers to the core, command-line-based R system Manuals, the latest versions of which can be found at Information on using R on macOS which supplements the main R This document contains a user guide to the R.APP version of R, and Next: R.app, Previous: R for macOS FAQ, Up: R for macOS FAQ 1 Introduction ![]() ![]() They do, and Bran’s head is magically preserved, carried along with his men as they travel back to Britain. Like Arthur, Bran is a warrior of renown who is wounded in an penultimate battle, though he’s carried off in a much more curious way- Bran commands his men to cut off his head. According to legend, Bran the Blessed is a giant, or cewri, which is an important detail to note. While we’re focusing on Welsh history, we should note that Bran the Blessed is also a King Under the Mountain figure. If we follow the trail of the Welsh language root, we find that the Welsh concept of the underworld, Annwn, is very similar both in meaning (“very deep” or “underworld”) as well as location (on an island or underground), a concept that will come to bear on later comparisons with ASOIAF locations. The Isle of Avalon or Afallach, which translates roughly from Old Welsh as “island of apples,” is magically shrouded in mist and provides Arthur and his faithful with all they need. At the end of the Battle of Camiann, injured King Arthur is rumored to be carried away by a group of ladies(sometimes including suggestively-named water women Morgan and the Lady of theLakes) along with his faithful knights to the magical island of Avalon, the “misty isle,”never to die, but to recover and wait, sleeping, until his glorious return at the momentBritain needs his leadership and battle prowess the most. According to Geoffrey de Monmouth’s version of the myth, King Arthur is taken under the wing of the sorcerer Merlin who engineeredArthur’s birth, and who is eventually trapped inside a tree. Myriad threads GRRM has selected from these myths and woven into his work.įirst, let’s look at one of the most obvious examples from British legend: King Arthur.We’ll set aside the question of who King Arthur was in favor of looking at certain specific elements of his story. Hundreds of stories with elements similar to what I’ve laid out areįound across the globe, and we’ll look at several of the myths so we might gather the Only to die after telling what happened or to come away white-haired and raving mad, Missing animal, then bears witness to the King asking if the birds (often ravens orĮagles) circling his mountain are still there. In some tellings, the King Under the Mountain isĭisturbed when a herdsman stumbles upon the King’s hidden abode while looking for a Oftentimes the King Under the Mountain is accompanied by faithful companions, and Leaves his people behind and adventures to a magical, remote, hidden place such asĪn island, cave, or underworld location, hence the designation “Under the Mountain.” Inįolklore, the King Under the Mountain is a hero, often of great military renown, who To begin, we must understand what the King Under the Mountain archetype is. In this essay, I hope to demonstrate that GRRM has loosely based Bran,Sam, and the Kings in the North on this archetype, analyze how Martin is using elements of the archetype to inform his work, and perhaps even make some predictions about what we can expect from these King Under the Mountain characters, and I’d love you to join me as we explore just how he does it. Martin is using in his A Song of Ice and Fire series to deepen the mystery surrounding certain characters he has created. The King Under the Mountain is a worldwide archetype that stretches as far into history as memory, and is a powerful archetype George R. ![]() Deleting temporary files may delete the virus. Some viruses are programmed to initiate when your computer boots up. Next, you need to delete any temporary files using ‘Disk Clean Up’.Ĭlick the Windows logo on the right bottomĬhoose “Free up disk space by deleting unnecessary files”įind and select “Temporary Internet Files” in the ‘Files to delete’ Disk Cleanup list and click OK When the screen lights, press F8 to bring up the ‘Advanced boot options’ menu To protect your computer while you remove the virus, reboot it in ‘Safe Mode’. Step 3: Reboot your computer into safe mode When you are removing a virus from your PC, it is a good idea to disconnect from the internet to prevent further damage: some computer viruses use the internet connection to spread. The video below will guide you through the installation process: We recommend Kaspersky Internet Security. If your PC has a virus, following these ten simple steps will help you to get rid of it: Step 1: Download and install a virus scannerĭownload a virus scanner or complete internet security solution. This is why it is vital to install anti-virus protection on all your devices. Without anti-virus protection, you may not know you have one. Removing a computer virus from a PCĬomputer viruses are almost always invisible. ![]() In this section, we explore how to get rid of a computer virus from a PC and from a Mac.
![]() Parliaments can only raise objections with regard to non-compliance with the principle of subsidiarity and not on the contents of a proposal.Īpplication of the subsidiarity control mechanism Prerequisites for parliamentary objections This "early warning mechanism" on subsidiarity was introduced in the Lisbon Treaty (December 2009) with the purpose of strengthening the position of national parliaments within the institutional constellation of the European Union. When a third but not yet half or more of all national parliaments raise an objection via the subsidiarity control mechanism it is referred to as an ' yellow card i'. The Council of Ministers and European Parliament then take a vote on whether the proposal can be submitted for legislative proceedings or whether it is rejected outright. Should the Commission decide to stay the proposal, in either its orginal or in an amended version, it will have to submit a detailed advice on why the Commission believes subsidiarity is adhered to in the proposal. This is commonly referred to as the 'orange card' as the Commission is given pause and has to decide on whether it withdraws the proposal or whether it will maintain or amend the proposal. If half of the national parliaments raise an objection the European Commission must review the proposal. if it argues the subject matter at hand can be best tackled on the national, regional or local level rather than at the European level. A national parliament of an EU member state may object to an EU legislative proposal if it deems the principle of subsidiarity has been violated, i.e. It is also ideal for pursuing game with thick hides.īolt length typically ranges from 16 to 22 inches. A heavyweight bolt is the best choice when hunting in poor weather conditions or dense habitats. Still, heavyweight bolts will lose trajectory more rapidly, so judging distance accurately is critical. ![]() They offer greater in-flight stability in inclement weather. The end result is a greater ability for target penetration. Heavyweight bolts produce and retain a larger amount of kinetic energy than lightweight or standard bolts. Standard bolts can be used in a variety of habitats and weather situations. It reduces vibration and noise and improves accuracy and penetration power. The increased weight in grains means that more energy is transferred from the crossbow to the bolt. They offer a good balance between speed and kinetic energy. Standard bolts are essentially all-purpose arrows that fit with most hunting situations. These bolts are best used in open areas where judging distance from the bow to target is more difficult. Lightweight bolts are also more prone to getting deflected away from your intended target by wind, rain or airborne debris. This heightens the risk of doing damage to the crossbow itself. On the other hand, they also produce increased vibration, stress, and noise. Lightweight bolts will boost overall speed and create flatter downrange trajectory. Crossbow bolts come in three standard weights. That means a lighter bolt shoots faster and a heavier bolt shoots with more power. It’s important to choose a bolt that has maximum penetration power over one that is simply the fastest.Ī crossbow will deliver the same amount of force to a bolt every single time it launches the bolt. Drag forces began to slow a bolt from the moment it is released. But speed can only do so much once a bolt is released. Speed gets more emphasis as a primary draw for choosing a particular crossbow over another model than just about any other factor. Kinetic energy is just as important as speed when sizing your bolts. Consult the manufacturer’s recommendations to see what the proper length and weight is needed for your crossbow TenPoint Heavier bolts typically generate more energy downrange, which ultimately means better target penetration. Total bolt weight combines the fletched shaft, nock, insert, and the broadhead or field point. There are some key elements you should consider before selecting from the crossbow bolts covered later in this guide, so you can get the results you need every time you use your crossbow. They also have special nocks designed to assist in launching the bolt down the rail. Bolt shafts are constructed to a shorter length to fit the shorter power stroke from a crossbow. Bolts should always be sized correctly to meet the speed, momentum, and accuracy required to make your hunt successful.īolts share some characteristics with traditional compound bow hunting arrows. *Last updated at 00:50 / Product Links & Images from Amazon Product Advertising APIįinding a bolt that is a perfect match with what your crossbow requires is absolutely essential. ![]() It was first released as a single on March 14, 1966. The authors also cited the Byrds' archival release Live at the Fillmore – February 1969 as a good example of the White-era band's musical potency.Rolling Stone journalist David Fricke has commented on White's contribution to the band, by noting, "with his powerful, impeccable tone and melodic ingenuity, White did much to rebuild the creative reputation of the Byrds and define the road-hearty sound of the group at the turn of the '70s. The Byrds About Eight Miles High 'Eight Miles High' is a song by the American rock band the Byrds, written by Gene Clark, Jim McGuinn (a.k.a. The film tracks her restless life from a small town girl in rural Bavaria to a fast-living fashion icon in Munich from free-loving companion of the. Similarly, authors Scott Schinder and Andy Schwartz have commented that although the White-era Byrds failed to achieve the commercial success of the original line-up, the group were a formidable live act and a consistently in-demand attraction on the touring circuit. Running time: 114 min 8 Miles High (Das Wilde Leben) tells the incredible true story of European wild-child Uschi Obermaier. Journalist Steve Leggett has noted that, although the original line-up of the Byrds gets the most attention and praise, the latter-day version, featuring McGuinn and White's dual lead guitar work, was regarded by critics and audiences as much more accomplished in concert than any previous configuration of the band had been. "The White-era version of the Byrds, featuring McGuinn, White and Parsons, along with bassists John York (September 1968–September 1969) and Skip Battin (September 1969–February 1973), released five albums and toured relentlessly between 19. I'm no guitar player but you could see in that video he really had something going on regarding his finger-picking. He was 29 years old.įrom that Wikipedia page I found that he actually was a renowned bluegrass musician. Not long after leaving the band he was loading equipment into his van after a gig in 1973. He toured and recorded with the Byrds for four years, 1970-1973. I hadn't heard his name mentioned in many, many years so kind of suspected he may have been yet another young drug casualty. As such, the song is often cited by critics as being the first psychedelic rock song, as well as a classic of the counterculture era.I was so impressed by the musicianship of this Byrds lineup that I had to do a little research, particularly Clarence White's Wikipedia page. Musically influenced by Ravi Shankar and John Coltrane, “Eight Miles High”, along with its McGuinn and Crosby penned B-side “Why”, was influential in developing the musical styles of psychedelic rock, raga rock and psychedelic pop. The failure of “Eight Miles High” to reach the Billboard Top 10 is usually attributed to the broadcasting ban, but some commentators have suggested that the song’s complexity and uncommercial nature were greater factors. The band strenuously denied these allegations at the time, but in later years both Clark and Crosby admitted that the song was at least partly inspired by their own drug use. radio ban shortly after its release, following allegations published in the broadcasting trade journal the Gavin Report regarding perceived drug connotations in its lyrics. Top 20 hit, and also their last release before the departure of Gene Clark, who was the band’s principal songwriter at the time. “Eight Miles High” became The Byrds' third and final U.S. The single managed to reach the Top 20 of the Billboard Hot 100 and the Top 30 of the UK Singles Chart.The song was also included on the band’s third album, Fifth Dimension, released on July 18, 1966. ![]() Roger McGuinn), and David Crosby and first released as a single on Ma. “Eight Miles High” is a song by the American rock band The Byrds, written by Gene Clark, Jim McGuinn (a.k.a. All of the data was from November and December 2019, after the company implemented a new pay model. Working Washington crunched pay data from 229 delivery jobs from Dashers around the United States, and found that the workers were making an average of $1.45 an hour, after taking into account the costs of mileage, additional payroll taxes that add up for independent contractors, and the lost work time as workers wait for the next job. Similar to Uber drivers or TaskRabbit workers, the company advertises that, by becoming a Dasher, you can "be your own boss" and "enjoy the flexibility of choosing when, where, and how much you earn." The basic premise is that the compay's contract delivery drivers, or "Dashers," deliver food to customers who order on the mobile app. A new, in-depth quantitative study released this week, as part of a worker campaign in collaboration with the worker rights non-profit Working Washington, found that contract delivery workers for food delivery company DoorDash earn $1.45 per hour on average, after other expenses are accounted for.ĭoorDash is an on-demand prepared food delivery service. As if the statistics on the federal minimum wage weren't dismal enough, leave it to Silicon Valley to figure out "innovative" ways to pay workers even less. ![]() The national minimum wage of $7.25 an hour has not changed in a decade, and there is widespread agreement that it is far below what constitutes a living wage anyway. This round is all about sitcoms – can you remember the sitcom and identify it by those who starred in it?ġ. Name the three actors who played the main crew in the original series of ‘Red Dwarf’.Ĭraig Charles, Chris Barrie and Danny John-Jules (Robert Llewellyn played Kryten, but this character did not appear until series 2 as a single appearance (and was on this occasion played by David Ross) and series 3 as a regular character) Which 2013 film stars Judi Dench and Steve Coogan and tells the true story of a lady searching for her son with the aid of Martin Sixsmith?ġ0. What was the name of the character played by Nicky Henson in the Fawlty Towers episode ‘The Psychiatrist’?ĩ. Mary Jane Watson was the love interest of which film super hero?Ĩ. In the original ‘Back to The Future’ series of 3 films, 4 different years are featured on screen. From which 1971 film does the quote “It’s funny how the colours of the real world only seem really real when you viddy them on the screen.” come?Ħ. In the Harry Potter series of films, what is the name of the character played by Imelda Staunton?ĥ. Which 2013 Richard Curtis film tells the story of a father and son who can travel through time?Ĥ. Which actor played Spike Dixon in the successful TV comedy ‘Hi-de-Hi!’?ģ. In which film does Julie Andrews play a female singer who impersonates a male, gay, Polish, female impersonator?Ģ. ‘Keeping Up Appearances’, ‘The Royle Family’ and ‘Skins’.ġ. ‘Last Tango in Halifax’, ‘Vicious’ and ‘Cadfael’.ġ0. ‘Butterflies’, ‘Goodnight Sweetheart’ and ‘New Tricks’.Ĩ. ‘Keeping Up Appearances’, ‘Hetty Wainthropp Investigates’ and ‘Victoria Wood: As Seen On TV’.Ħ. ‘Fresh Meat’, ‘Bad Education’ and ‘Beehive’.Ĥ. ‘Are You Being Served?’, ‘EastEnders’ and ‘Benidorm’.Ģ. Each film has the year in brackets afterwards, so you can distinguish the difference between films and TV programmes.ġ. You need to give us the name of the actor who has appeared in all three. We will give you the names of three TV programmes or films. This round is all about TV and Film actors. Which American band sang ‘I’ll Be There for You’, used as the theme tune to the series ‘Friends’? Similarly, who provided the score for the 1982 Ridley Scott film ‘Blade Runner’?ġ0. Which rock band provided the soundtrack to the 1986 film ‘Highlander’?ĩ. ![]() In ‘A Clockwork Orange’, which classical composer is Alex’s favourite, until his music is played as a soundtrack to the aversion therapy he receives, much to his dismay?Ĩ. Which American film score composer has written the music for the films ‘Star Wars’, ‘Indiana Jones’, ‘E.T.’, ‘Jaws’ and ‘Jurassic Park’?ħ. Which television theme tune includes the lyrics ‘Goldfish shoals nibbling at my toes’?Ħ. Which TV star was caricatured by ‘Little Britain’, where he always wanted to ‘write the theme tune, sing the theme tune?’ĥ. Which 1980s TV show had the Dexys Midnight Runners track ‘Because of You’ as its theme tune?Ĥ. Which Oasis track was the theme tune to the hit comedy ‘The Royle Family’?ģ. Which 1988 track is the theme tune to ‘Jamie’s 30-Minute meals’?Ģ. If you're a fan of Tarantino's lyrical dialogue and pop-cultural wit, you'll have fun with the road-movie half of this supernatural horror-comedy, but if your taste runs more to exploding heads and eyeballs, sloppy entrails and morphing monsters, the second half provides a connoisseur's feast of gross-out excess.This round is all about television and film theme tunes.ġ. Heading to Mexico with their hostages, the infamous Gecko brothers arrive at the Titty Twister bar to rendezvous for a money drop, but they don't realize that they've just entered the nocturnal lair of a bloodthirsty gang of vampires! With not-so-subtle aplomb, Rodriguez and Tarantino shift into high gear with a nonstop parade of gore, gunfire, and pointy-fanged mayhem featuring Salma Hayek as a snake-charming dancer whose bite is much worse than her bark. Then they hijack a mobile home driven by a former Baptist minister (Harvey Keitel) who quit the church after his wife's death and hit the road with his two children (played by Juliette Lewis and Ernest Liu). QT plays Richard Gecko, a borderline psychopath who breaks his career-criminal brother, Seth (George Clooney), out of prison, after which they rob a bank and leave a trail of dead and wounded in their bloody wake. From a match made in heaven comes a movie spawned in hell! Young hotshot director Robert Rodriquez (El Mariachi, Desperado) teamed up with Pulp Fiction auteur Quentin Tarantino (offering his services as writer and co-star) to make this outrageous, no-holds-barred hybrid of high-octane crime and gruesome horror. ![]() ![]() The included latching mini-DisplayPort to HDMI adapter is recommended by NVIDIA, provides outstanding image quality, and is built to professional standards. MDP-HDMI-SINGLE-PCK Connect the Quadro P400 to an HDMI display at resolutions up to 4K with PNY Part Number MDP-HDMI-SINGLE-PCK. The three included latching mini-DisplayPort to HDMI adapters are recommended by NVIDIA, provide outstanding image quality, and are built to professional standards. MDP-HDMI-THREE-PCK Connect the Quadro P400 to HDMI displays at resolutions up to 4K with PNY Part Number MDP-HDMI-THREE-PCK. Increase bandwidth by up to 20% by reducing the amount of data fetched from memory for each frame with fourth generation, lossless delta compression. Texture from and render to 16K x 16K surfaces to support applications that demand the highest resolution and quality image processing. Frame Buffer and Memory BandwidthĢGB GDDR5 memory with up to 32 GB/s memory bandwidth delivers the performance boost and responsiveness demanded by entry level graphics applications.ĭeliver faster than real-time performance for transcoding, video editing, and other encoding applications with one dedicated H.264 and HEVC encode engines and a dedicated decode engine that are independent of 3D/compute pipeline.ĭramatically reduce visual aliasing artifacts or "jaggies" with up to 64X FSAA for unparalleled image quality and highly realistic scenes. Support for three 4K displays (4096 x 2160 at 60Hz) with HDR color gives you a wide visual workspace to view your work in extremely high resolution.īased on state-of-art 14nm FinFET process technology with 256 CUDA cores, the Quadro P400 provides performance and efficiency for CAD, DCC and visualization professionals in small and power efficient form factor. A single-slot, low-profile form factor makes it compatible with even the most space and power-constrained chassis. The new NVIDIA Quadro P400 combines the latest Pascal GPU architecture with 2GB of ultra-fast on-board memory to deliver great performance for a range of professional applications. NVIDIA Quadro P400-Delivers Great Mainstream Professional Application Performance |